Recognizing the many ways that L.M. Montgomery’s books have brought people together over time, and mindful that the current global pandemic means we need to be creative about staying in touch with people, Andrea McKenzie and I have started a Rilla of Ingleside readathon on Facebook. Starting Monday, March 30, we will read together three chapters a week from Montgomery’s Great War novel, supplementing our conversation about the text with book covers, reviews, ads, literary allusions, and historical context. Please join us!
- Best Drama Series
- Best Lead Actress, Drama Series: Amybeth McNulty
- Best Guest Performance, Drama Series: Dalmar Abuzeid
- Best Direction, Drama Series: Anne Wheeler
- Best Direction, Drama Series: Amanda Tapping
- Best Writing, Drama Series: Moira Walley-Beckett
- Best Writing, Drama Series: Jane Maggs
- Best Photography, Drama: Catherine Lutes
- Best Picture Editing, Drama: Gillian Truster
- Best Picture Editing, Drama: Lisa Grootenboer
- Best Sound, Fiction: Alan deGraaf, Scott Shepherd, John Elliot, Tyler Whitham, Danielle McBride, Joe Bracciale, Joe Mancuso, Zenon Waschuk
- Best Production Design or Art Direction, Fiction: Jean-François Campeau, Michele Brady, Elliott Carew
- Best Costume Design: Alexander Reda
- Best Achievement in Make-up: Diane Mazur
- Best Achievement in Hair: Zinka Tuminski
- Best Original Music, Fiction: Amin Bhatia and Ari Posner
- Best Achievement in Casting: Stephanie Gorin
Last July, I blogged about three books that had just been published – Anne of Green Gables: The Original Manuscript, edited by Carolyn Strom Collins; a new edition of Imagining Anne: The Island Scrapbooks of L.M. Montgomery, by Elizabeth Rollins Epperly; and L.M. Montgomery’s Complete Journals: The Ontario Years, 1930–1933, edited by Jen Rubio – as well as some journal articles and book chapters that had appeared in the first half of 2019. What I’d like to do now is highlight some of the remaining books, adaptations, and items of scholarship that have appeared during the last year, all of which demonstrate that there’s always something new to learn and appreciate about L.M. Montgomery.
There’s also been a lot of work going on behind the scenes here at L.M. Montgomery Online. As I mentioned in a blog post last September, I’ve been reorganizing and streamlining the information on this website to make it more manageable. When I started this website (as L.M. Montgomery Research Group) back in 2007, I wanted to showcase all contributors to L.M. Montgomery studies, and accordingly, I created stand-alone pages for every author, every periodical, every major book, and every actor in a screen adaptation of Montgomery’s work. As a result, this website became so large that I couldn’t make back-ups of it anymore, so this year I decided to eliminate pages for periodicals and to list actors, writers, and directors of screen adaptations on single pages (in the case of actors, listed alphabetically by surname with one page for each letter of the alphabet). Doing so has brought the website down to a more reasonable size, which has enabled me to start featuring lists of Montgomery’s periodical pieces.
I mention all this to explain why it’s taken me this long to announce formally on this blog the publication of A World of Songs: Selected Poems, 1894–1921, the second volume in The L.M. Montgomery Library, which University of Toronto Press published last January. I wanted to wait until I’d finished the overhaul of my lists of Montgomery’s periodical pieces, and that ended up taking much longer than I’d anticipated (and I still haven’t finished adding all the essays by Montgomery that appear in Volume 1 of The L.M. Montgomery Reader). Users of this website can now browse lists of items whose full texts appear in my books – poems by title, by date, and by first line; miscellaneous pieces by date; an index of periodical titles; and a list of Montgomery’s alternate signatures – with more items to be added as new volumes are published.
A World of Songs consists of a selection of fifty poems – roughly 10% of Montgomery’s total output – published over a quarter of a century, starting when she was a student at Prince of Wales College in Charlottetown. In my afterword, I talk about Montgomery’s poems in terms of “the competing forces of literary reputation, reader recognition, financial profit, and enduring literary quality” and attempt to position this work against poems by some of her contemporaries, including Duncan Campbell Scott, Bliss Carman, and Isabella Valancy Crawford. It’s meant to be a companion of sorts to The Blythes Are Quoted, which features forty-one of Montgomery’s poems, most of which were first published in magazines from 1919 onward. It will be followed by a much larger volume of all of Montgomery’s poems, something that I’ve been working on for several years already.
Although several new trade editions of Montgomery’s books appeared in 2019, the year was also notable for the appearance of three new biographies of Montgomery, two of them for very young readers. In 2018, María Isabel Sánchez Vegara published a picture-b0ok biography for the Little People, Big Dreams series (whose books tell the story of several prominent women, including Frida Kahlo, Ella Fitzgerald, Coco Chanel, and Marie Curie). This past August, Sánchez Vegara published Lucy Maud: My First L.M. Montgomery, a board-book version of her biography with a simplified text in order to “introduce your baby to Canada’s favorite author.” (I especially appreciated an image showing Montgomery’s newspaper column, signed Cynthia, which I collected last year in A Name for Herself: Selected Writings, 1891–1917.) Sarah Howden also published a short biography for HarperCollins’s I Can Read! series, whereas a revised edition of Stan Sauerwein’s 2004 biography for the Amazing Stories series appeared as Lucy Maud Montgomery: Canada’s Literary Treasure, published by Formac Publishing Company.
Also for young children are two more volumes in Kelly Hill’s series of Anne-related concept books from Tundra Books: Anne’s Feelings and Anne’s Alphabet, which follow Anne’s Colors and Anne’s Letters from 2018. Also from Tundra this past year is Kallie George’s Anne’s Kindred Spirits, a second abridgement for children of Anne of Green Gables, following 2018’s Anne Arrives, republished in paperback in 2019.
In terms of scholarship, December 2019 saw the publication of Wendy Roy’s book-length study The Next Instalment: Serials, Sequels, and Adaptations of Nellie L. McClung, L.M. Montgomery, and Mazo de la Roche, published by Wilfrid Laurier University Press. Roy’s book promises to become a major contribution to the field, not only because it focuses on the largely unexplored topic of serial publication, but also because it places Montgomery firmly alongside two of her contemporaries within Canadian literary studies.
Here’s a list of journal articles, book chapters, and reviews on L.M. Montgomery’s work that were published in 2019 (including a trio of articles on Swedish translations in Barnboken: Journal of Children’s Literature Research), in addition to those I mentioned in my blog post from last July:
- Holly Blackford, “Unattached Women Raising Cain: Spinsters Touching Orphans in Anne of Green Gables and Uncle Tom’s Cabin,” in South: A Scholarly Journal
- Claire Campbell, review of L.M. Montgomery and the Matter of Nature(s), in American Review of Canadian Studies
- Frederika A. Eilers, “Making Green Gables Anne’s Home: Rural Landscapes and Ordinary Homes of Canadian Fiction and Film,” in Our Rural Selves: Memory and the Visual in Canadian Childhoods
- Faye Hammill, review of A Name for Herself: Selected Writings, 1891–1917, in Times Literary Supplement
- Victoria Kennedy, “Haunted by the Lady Novelist: Metafictional Anxieties about Women’s Writing from Northanger Abbey to The Carrie Diaries,” in Women: A Cultural Review
- Andrea McKenzie, review of L.M. Montgomery and the Matter of Nature(s), in The Lion and the Unicorn
- Claudia Mills, “Trying to Be Good (with Bad Results): The Wouldbegoods, Betsy-Tacy and Tib, and Ivy and Bean: Bound to Be Bad,” in Children’s Literature
- David Myles, “‘Anne Goes Rogue for Abortion Rights!’: Hashtag Feminism and the Polyphonic Nature of Activist Discourse,” in New Media and Society
- Cornelia Rémi, “From Green Gables to Grönkulla: The Metamorphoses of Lucy Maud Montgomery’s Anne of Green Gables and Its Various Swedish Translations,” in Barnboken: Journal of Children’s Literature Research
- Jennifer Scott, review of A Name for Herself: Selected Writings, 1891–1917, in Victorian Periodicals Review
- Åsa Warnqvist, “‘Don’t Be Too Upset with Your Unchivalrous Publisher’: Translator–Publisher Interactions in the Swedish Translations of L.M. Montgomery’s Anne and Emily Books,” in Barnboken: Journal of Children’s Literature Research
The 2018 annual volume of The Shining Scroll, the official publication of the L.M. Montgomery Literary Society (Minnesota), appeared early in 2019, featuring articles and news by Mary Beth Cavert, Carolyn Strom Collins, and Sandra Wagner. Be sure to download this newsletter if you don’t know it already. I look forward to reading the 2019 edition!
Twenty nineteen was also the year that the third – and ultimately the last – season of Anne with an “E” aired on CBC television. I was really disappointed to learn of the series’ cancellation, not only because I thought the show overall was excellent, but also because of the point at which it stops. The third season was released worldwide (except Canada) on Netflix just last Friday, so I don’t want to go into too much detail for viewers who haven’t finished it yet, but I was disappointed by what the networks decided was a suitable way to end a young woman’s story, given that the creators evidently hadn’t intended to end the story there. In spite of a petition and a flurry of positive responses on social media, it looks unlikely at this point that the series will be continued beyond the twenty-seven episodes already produced, which is a real shame. Although the television series departed in many ways from the book, it clearly struck a chord with viewers all over the world, much like how readers have responded to Montgomery’s writing for more than a century.
As for me, 2019 has been a busy year in terms of future volumes of The L.M. Montgomery Library. After completing the bulk of the work on the first of several chronological volumes of Montgomery’s short stories, I ended up deciding, in consultation with my editor, to move a few things around and to present this aspect of her work in a new way, with the result that I’ve spent six months working on three volumes simultaneously. One reason this has taken longer than anticipated is that I’ve been searching for a multi-chapter serial entitled “The Luck of the Tremaynes,” which Montgomery published in the January and February 1907 issues of The American Home of Waterville, Maine. I’ve searched through every digital repository I can think of and contacted libraries, collectors, and booksellers, and so far I haven’t had any luck. (I’ve come close a few times, though—a microfilm that claimed to have the full run of the issue ended at 1906, whereas copies of other 1907 issues are currently available on eBay.) In the off chance that you have a copy or have a suggestion of someone who might, please contact me. In the meantime, watch this space for news about future volumes in the series!
I guess that’s it. I look forward to seeing what 2020 will bring!
I’m so pleased to pass along the fact that University of Toronto Press is having a Black Friday sale between now and the end of November, and several of my L.M. Montgomery books are now 50% off. These include the first two volumes in The L.M. Montgomery Library – namely, A Name for Herself: Selected Writings, 1891–1917 and A World of Songs: Selected Poems, 1894–1921, both of which were published in the last year – as well as the three-volume critical anthology The L.M. Montgomery Reader, which is discounted at 50% off compared to the price of buying each volume individually.
I was also thrilled to come across Jennifer Scott‘s review of A Name for Herself in the Fall 2019 issue of Victorian Periodicals Review.
“Lefebvre, one of the top Montgomery scholars in the world, has painstakingly collected these scattered publications from throughout Montgomery’s career to provide a valuable resource … By including Montgomery’s contributions to these publications, many of which were fleeting, Lefebvre enriches our knowledge of the periodical landscape in North America and demonstrates how these magazines and newspapers were important vehicles for women authors in Canada and the United States.”
Sale ends midnight on 1 December 2019!
Lo! a ripe sheaf of many golden daysL.M. Montgomery’s poem “September,” included in The Watchman and Other Poems (1916)
Gleaned by the year in autumn’s harvest ways,
With here and there, blood-tinted as an ember,
Some crimson poppy of a late delight
Atoning in its splendour for the flight
Of summer blooms and joys –
This is September.
“Harvest is ended and summer is gone,” Anne Shirley declares at the start of Anne of the Island (1915) – a statement that, as Rea Wilmshurst notes in her 1989 article “L.M. Montgomery’s Use of Quotations and Allusions in the ‘Anne’ Books,” is in fact a misquotation of Jeremiah 8:20 (“The harvest is past, the summer is ended”). For me as an academic, September also means the start of a new school year after a summer busy with research and writing projects – which this year included steady work on the next four volumes in The L.M. Montgomery Library. It doesn’t always make sense to work on four books at once, but in this case I became like the little boy in Anne of the Island (and originally in one of Montgomery’s “Around the Table” columns) who went to see a biograph: “I have to look for what’s coming next before I know what went last.”
This year, September also coincided with the next phase in my latest overhaul of this website. After I published my three-volume critical anthology, The L.M. Montgomery Reader, I added the items included in those volumes – including hundreds of reviews of Montgomery’s books appearing in periodicals from eight countries – to the bibliography of sources. Until recently, the vast majority of the items in that bibliography were listed multiple times: by author, by type (journal article and review, for instance), and again by periodical title. As I started adding to that bibliography items appearing in A Name for Herself and A World of Songs, I soon saw that this duplication was going to be unmanageable, given that some of these items (like Montgomery’s tract “What to Teach Your Son,” originally from her 1901 sketch “Half an Hour with Canadian Mothers“) were reprinted dozens of times.
In order to make this website more manageable, I decided to eliminate individual pages for periodicals except for those in which Montgomery published her hundreds of short stories, poems, and miscellaneous pieces between 1890 and 1942. As more and more newspapers have been digitized and made text searchable, I’ve noticed some of these items being reprinted again and again, sometimes anonymously. Her 1898 poem “Irrevocable,” for instance, appeared in The Congregationalist, a Boston periodical, before being reprinted in several newspapers between 1899 and 1901, including once, without Montgomery’s signature and under the title “Beyond Recall,” in the Brown County World of Hiawatha, Kansas. I haven’t yet found any more publications of that poem in the few years after that, but another burst of citations of this poem as “Beyond Recall” starts in 1905, usually unsigned, and sometimes attributed to Ewing Herbert, who owned the Brown County World. I’ve decided to list all these newspaper reprints but not create pages for each periodical given that Montgomery in all likelihood had no knowledge of how widely her work was recirculating, and given that more and more newspapers are being digitized all the time, there will always be more instances of reprinting to discover.
I’ve also created a page for the alternate signatures Montgomery used, particularly early in her career, including “Maud Cavendish,” “Joyce Cavendish,” “Cynthia,” and “J.C. Neville” – a form of authorship that I talk about in my afterword to A Name for Herself.
September is meaningful for another reason, too: the critically acclaimed television series Anne with an “E” is returning on CBC starting on Sunday night for a third season of ten episodes (it will appear on Netflix around the world, except Canada, on 3 January 2020). As I wrote in a blog post last year, the titles of all first-season episodes are quotations from Charlotte Brontë’s Jane Eyre, whereas the titles of all second-season episodes are quotations from George Eliot’s Middlemarch. Brontë and Eliot were prominent models of nineteenth-century women’s authorship for Montgomery, so it was fitting that the episode titles for the first two seasons referred to their work. For the third season, the episode titles that I’ve seen so far all allude to another prominent book by a British woman – Mary Shelley’s Frankenstein, which I find quite intriguing. And based on what I’ve read about the storylines for this season, I do look forward to seeing what lies ahead for Anne, her friends, and the community of Avonlea in this most recent incarnation of Montgomery’s story.
Three new books released this month invite readers to revisit the story of Anne of Green Gables and the life story L.M. Montgomery prepared for posthumous publication in the form of ten handwritten volumes of journals. All three books are the result of careful dedication on the part of volume editors whose painstaking attention to detail has made rare archival material come alive for Montgomery’s worldwide readership.
First, Halifax publisher Nimbus Publishing has released Anne of Green Gables: The Original Manuscript, edited by Carolyn Strom Collins. This book consists of a transcription of the handwritten manuscript of Anne of Green Gables that showcases for the first time Montgomery’s creative process and elaborate revision system. It also includes, as an appendix, a gallery of rare covers of translated editions of the novel. Past scholarship has turned to the manuscript of Anne of Green Gables to study part of the writing process of the novel—revealing such details as the fact that Montgomery considered “Laura” and “Gertrude” as the names of Anne’s bosom friend before settling on “Diana”—but this book marks the first time readers will be able to see that creative process for themselves.
Anne of Green Gables: The Original Manuscript will be launched at the Confederation Centre Art Gallery in Charlottetown on 1 August 2019.
Also from Nimbus Publishing is a paperback edition of Elizabeth Rollins Epperly’s Imagining Anne: The Island Scrapbooks of L.M. Montgomery, first published in hardcover in 2008 as part of Penguin Canada’s 100 Years of Anne celebration. This book features beautiful reproductions of key pages from two of Montgomery’s PEI scrapbooks on which she pasted a wide range of ephemera in order to create a visual archive for her creative process. In her commentary, Epperly suggests linkages between the individual items, the stories they tell in Montgomery’s arrangement of them on the page, and the way that they inspired key moments in Anne of Green Gables. As the back cover rightly proclaims, this book offers readers “a revealing look inside the mind of one of the most cherished writers of the twentieth century.”
The new edition of Imagining Anne will be launched at UPEI’s Robertson Library in Charlottetown on 25 July 2019.
Finally, Rock’s Mills Press has published L.M. Montgomery’s Complete Journals: The Ontario Years, 1930–1933, the fifth volume of Montgomery’s unabridged Ontario journals prepared by Jen Rubio. This volume contains all diary entries dated 1930 to 1933, at the height of the Great Depression, at which point Montgomery and her family were living in Norval, Ontario. These were difficult years for her, especially due to a revelation made by one of her sons that distressed her so much that she was unable to write full diary entries for almost three years. Like Epperly’s Imagining Anne, this book offers readers “a revealing look inside the mind of one of the most cherished writers of the twentieth century,” but for very different reasons – it showcases the private anguish of a woman who, acutely aware of societal expectations, turned to her journal as a safe outlet for her worries and secrets, but her increased awareness of these journals as a document that she wanted to be published after her death also constrained her ability to be completely honest in this record of her life.
- Elizabeth Rollins Epperly, “Reading Time: L.M. Montgomery and the ‘Alembic of Fiction’” (in Journal of L.M. Montgomery Studies)
- Irene Gammel, “‘We Are the Dead’: Rhetoric, Community and the Making of John McCrae’s Iconic War Poem” (in First World War Studies)
- Caroline E. Jones, “Idylls of Play: L.M. Montgomery’s Child-Worlds” (in Children’s Play in Literature: Investigating the Strengths and the Subversions of the Playing Child)
- Vappu Kannas, “‘Emily Equals Childhood and Youth and First Love’: Finnish Readers and L.M. Montgomery’s Anne and Emily Books” (in Reading Today)
- Laura Leden, “Girls’ Classics and Constraints in Translation: A Case Study of Purifying Adaptation in the Swedish Translation of L.M. Montgomery’s Emily of New Moon” (in Barnboken)
- Jane Nicholas, “The Children’s Séance: Child Death, the Body, and Grief in Interwar Ontario” (in The Journal of the History of Childhood and Youth)
- Christopher Parkes, “Anne Is Angry: Female Beauty and the Transformative Power of Cruelty in L.M. Montgomery’s Anne of Green Gables” (in Cruel Children in Popular Texts and Cultures)
- Julie A. Sellers, “‘A Good Imagination Gone Wrong’: Reading Anne of Green Gables as a Quixotic Novel” (in Journal of L.M. Montgomery Studies)
- Rob Shields, “Lifelong Sorrow: Settler Affect, State and Trauma at Anne of Green Gables” (in Settler Colonial Studies)
- Emily Stokes-Rees, “Re-thinking Anne: Representing Japanese Culture at a Quintessentially Canadian Site” (in Journal of Tourism and Cultural Change)
- Janet Wesselius, “Anne’s Body Has a Mind (and Soul) of Its Own: Embodiment and the Cartesian Legacy in Anne of Green Gables” (in The Embodied Child: Readings in Children’s Literature and Culture)
In light of the fact that today is the first of April, I thought I’d share with you “Cynthia’s” account of being April fooled, appearing in “Around the Table,” L.M. Montgomery’s newspaper column, which she published in the Halifax Daily Echo from September 1901 to May 1902.
Did you get April fooled last week? At our house we all arose on April’s birth morning with a grim determination not to believe a word that our best friends said to us or tamper with anything that looked suspicious the whole day through. And yet, the sorrowful fact remains that – I blush to admit it – I fell into the very first trap with grace and agility.
When I went downstairs Ted was in the hall looking over a morning paper with a very shocked face.
“Cynthia,” he said, with a shudder – oh, it was very well done. In justice to myself I must say that – “this is frightful. There has been a terrible accident up at the north end – nine lives lost.”
“Oh,” I gasped, feeling a dozen thrills of horror. “Oh, Ted, what happened?”
“A street car ran over a cat,” said Ted solemnly.
And there I was! If it had even been a new joke there would have been some excuse for me. But it is old – so old! Why, it has been going the rounds of the funny columns for years.
Well, I tried to take it meekly and all through breakfast I brooded over my revenge. When Ted started to go down town I called to him and asked him if he would mind doing an errand for me. He said no, of course not. So I wrote out a memorandum and told him to get me three yards of sparrowbill purple ribbon.
“Be very careful to get sparrowbill,” I said. “No other shade of purple will do. I want it to match my new suit. I daresay they won’t have it at all the stores. It’s a new shade.”
“I’ll hunt around until I get it,” said Ted so obligingly that I felt a slight pang of remorse – until I remembered that hideous joke.
When Ted came home at night he looked as if he were suffering from that tired feeling.
“I couldn’t get that fiendish shade of ribbon you wanted, Cynthia,” he said wearily. “I’ve been to every dry goods store in Halifax and the clerks all looked at me as if they thought I was crazy. Said they’d never heard of sparrowbill purple.”
“No more did I,” I said maliciously. “You shouldn’t go gunning for new shades on the first of April, Teddy-boy.”
Ted, not being dull of comprehension, understood. He grinned.
“Guess we are square,” he said frankly.
UPDATE: This sale has been extended until April 7!
I’ve fallen woefully behind on my blog posts, but here’s one that simply can’t wait any longer. I found out earlier this week that University of Toronto Press is having a March Madness Sale, which means that several L.M. Montgomery books are 50% off for the rest of the month!
My three-volume collection The L.M. Montgomery Reader, which won the 2016 PROSE Award for Literature from the Association of American Publishers, is available for $60 for the entire set, whereas Volume 1: A Life in Print, Volume 2: A Critical Heritage, and Volume 3: A Legacy in Review are available individually for $29, which is a 50% discount. Anne’s World: A New Century of Anne of Green Gables, a collection of essays I edited in collaboration with Irene Gammel, is also available at a 50% discount.
Additional books are also available at discounts of 40% to 60%: Elizabeth Rollins Epperly’s book-length studies The Fragrance of Sweet-Grass: L.M. Montgomery’s Heroines and the Pursuit of Romance and Through Lover’s Lane: L.M. Montgomery’s Photography and Visual Imagination, Gammel’s collections of essays Making Avonlea: L.M. Montgomery and Popular Culture and The Intimate Life of L.M. Montgomery, Gammel and Epperly’s collection of essays L.M. Montgomery and Canadian Culture, and Hildi Froese Tiessen and Paul Gerard Tiessen’s After Green Gables: L.M. Montgomery’s Letters to Ephraim Weber, 1916–1941.
This sale runs till the end of March, and University of Toronto Press ships worldwide. Complete your Montgomery collection today!
A few weeks ago, I was thrilled when someone alerted me to the fact that L.M. Montgomery’s rediscovered final book, The Blythes Are Quoted, had been featured on a recent episode of Jeopardy!. It made my day, especially since neither the original 2009 edition or the 2018 Penguin Modern Classics Edition has been available outside Canada. The episode was posted to YouTube shortly after it aired, but unfortunately, it’s no longer available.
When L.M. Montgomery worked for the Halifax Daily Echo in 1901–1902, she was given a wide range of occasional writing assignments, most of which she never discussed, let alone saved in her scrapbooks, meaning that they cannot be identified now. One writing assignment she did mention in her journals and in her celebrity memoir, “The Alpine Path,” consisted of writing up the holiday specials of Halifax stores that were regular advertisers in the paper, but what she never revealed was the sheer scope of the assignment: she wrote advertising copy for ninety stores, for a total of 13,000 words (more than half the length of “The Alpine Path”). Although Montgomery found these pieces tedious to write, they make for fascinating reading because of how much they reveal about advertising practices more than a century ago.
I include in A Name for Herself: Selected Writings, 1891–1917 some highlights from this assignment, called “Christmas Shopping in Halifax Stores.” Here, as an online exclusive, are Montgomery’s opening paragraph and one of my favourite write-ups from this assignment.
Again Christmas tide approaches and the wide-awake shopkeepers have made preparations for a good season’s trade. All branches of trade feel the effect of Christmas buying, and the consumer feels it perhaps most than all, but he grows reckless with his money in preparing for the season of peace and goodwill. At times he is bothered in the selection of goods and articles which he may deem suitable and worthy of the occasion, and in order to assist readers who might possibly find themselves in such a dilemma the Echo will take the liberty of calling attention to stores and shops where Christmas purchases may be made to advantage.
S. Cunard & Co.
Stoves are little use without fuel, so when one orders a stove coal is brought to mind. S. Cunard & Co.’s is one of the oldest coal dealing firms in Halifax, and their reputation is built on a solid foundation. They deal in all kinds of coals, hard and soft, and having North and South end depots are in a position to supply all parts of the city at short notice. Much coal is given at Christmas to the poor, and it is a thoughtful and in most cases exceedingly welcome gift. With such arrangements as S. Cunard & Co. are equipped with there is little trouble occasioned by one who wishes coal sent to a poor acquaintance. He simply rings up one of the firm’s telephones and gives his order, and the firm does the rest, even to putting the coal in the cellar, if he desires it. Cunard & Co. say that the hard coal with which they supplied their customers the past season turned out to be the best they ever handled. The firm has still a lot of this coal on hand now, and can supply it promptly.
And on 23 December 1901, Montgomery – or, rather, “Cynthia” – wrote in her column “Around the Table” about a late snowfall that was apparently a rarity in Halifax at the time:
I believe we are going to have a white Christmas after all. I’m so glad. I hate a “green” Christmas. You know, when a Christmas is a dirty-grayey-browney affair, looking as if it had been left over about a hundred years ago, and had been in soak ever since it is called a green Christmas. Don’t ask me why! As Lord Dundreary says, “There are thome thingth no fellow can underthtand.”
We don’t get a white Christmas oftener than once in a blue moon, so it is something to be duly thankful for. It is the only real, guaranteed Christmas. Any other kind is a fraud and imitation. Always ask your dealer for a white Christmas and insist on having it.
Lots of snow, making the world look like a magnified Christmas card, crisp, exhilarating air and jingles of sleigh bells everywhere – that’s as it should be. No “green” Christmas for me, an it please ye.
It’s an apt sentiment, since this year, here in Kitchener, Ontario, it also looked like it was going to be a “green” Christmas. But then it snowed overnight – just enough of a dusting to cover the dead lawn but not nearly enough to warrant a lot of shovelling, which is a bonus.
I wish everyone who reads this website a safe and happy holiday season, and I look forward to continuing the conversation about L.M. Montgomery’s life, work, and legacy in 2019.