University of Prince Edward Island, 26–29 June 2014
Please note that the deadline for submissions is now 15 August 2013
“And you will tell your children of the Idea we fought and died for—teach them it must be lived for as well as died for, else the price paid for it will have been given for nought.”
—Rilla of Ingleside (1921)
“I am thankful now, Jem, that Walter did not come back . . . and if he had seen the futility of the sacrifice they made then mirrored in this ghastly holocaust. . . . ”
—The Blythes Are Quoted (2009)
The year 2014 marks the 100th anniversary of the beginning of the First World War, a global conflict that would prove life-changing for L.M. Montgomery and millions of her contemporaries. For the eleventh biennial conference hosted by the L.M. Montgomery Institute at the University of Prince Edward Island, we invite proposals for papers that consider war in relation to L.M. Montgomery’s fiction, poetry, life writing, photographs, and scrapbooks, and the range of adaptations and spinoffs in the areas of film, television, theatre, tourism, and online communities.
Montgomery’s 1921 novel Rilla of Ingleside is one of the only contemporary accounts of Canadian women’s experience on the homefront during the First World War, but the War is evoked and implied in direct and indirect ways in many of the novels, short stories, and poems that precede and follow it. The Blythes Are Quoted, Montgomery’s final published work, bridges the years between the First World War and the Second World War, complicating Montgomery’s perspectives and thoughts about war and conflict. Montgomery’s work has met with a variety of responses world-wide during times of war and rebellion, from post-WWII Japan to today’s Middle Eastern countries. Different kinds of wars and rebellions also permeate her fiction and life writing—class conflicts, family disputes, gender and language wars—sometimes humorous, sometimes tragic. This conference seeks to take stock of the complex ways in which war in all its forms has influenced Montgomery’s works and their reception, both in Canada and around the world.
Possible topics include: the Great War anticipated, revisited, remembered, and re-imagined; the politics of gendered witnessing; Montgomery’s reception in times of war and conflict; chivalry, patriarchy, conflict, and romance in poetry and fiction; war as an agent of change; internal and external rebellion in relation to war; the psychology of war in battle and on the homefront.
Proposals should clearly articulate the proposed paper’s argument and demonstrate familiarity with current scholarship in the field (please see for an updated bibliography). For more information, please contact the conference co-chairs, Dr. Benjamin Lefebvre (email@example.com) and Dr. Andrea McKenzie (firstname.lastname@example.org). Submit a proposal of 200–250 words, a biographical statement of 70 words, and a list of A/V requirements by 15 August 2013 by using our online form at the L.M. Montgomery Institute website at http://www.lmmontgomery.ca/. Proposals for workshops, exhibits, films, and performances are also welcomed. Since all proposals are vetted blind, they should include no identifying information.