“Lefebvre, one of the top Montgomery scholars in the world, has painstakingly collected these scattered publications from throughout Montgomery’s career to provide a valuable resource … By including Montgomery’s contributions to these publications, many of which were fleeting, Lefebvre enriches our knowledge of the periodical landscape in North America and demonstrates how these magazines and newspapers were important vehicles for women authors in Canada and the United States.”
Lo! a ripe sheaf of many golden days Gleaned by the year in autumn’s harvest ways, With here and there, blood-tinted as an ember, Some crimson poppy of a late delight Atoning in its splendour for the flight Of summer blooms and joys – This is September.
“Harvest is ended and summer is gone,” Anne Shirley declares at the start of Anne of the Island (1915) – a statement that, as Rea Wilmshurst notes in her 1989 article “L.M. Montgomery’s Use of Quotations and Allusions in the ‘Anne’ Books,” is in fact a misquotation of Jeremiah 8:20 (“The harvest is past, the summer is ended”). For me as an academic, September also means the start of a new school year after a summer busy with research and writing projects – which this year included steady work on the next four volumes in The L.M. Montgomery Library. It doesn’t always make sense to work on four books at once, but in this case I became like the little boy in Anne of the Island (and originally in one of Montgomery’s “Around the Table” columns) who went to see a biograph: “I have to look for what’s coming next before I know what went last.”
In order to make this website more manageable, I decided to eliminate individual pages for periodicals except for those in which Montgomery published her hundreds of short stories, poems, and miscellaneous pieces between 1890 and 1942. As more and more newspapers have been digitized and made text searchable, I’ve noticed some of these items being reprinted again and again, sometimes anonymously. Her 1898 poem “Irrevocable,” for instance, appeared in The Congregationalist, a Boston periodical, before being reprinted in several newspapers between 1899 and 1901, including once, without Montgomery’s signature and under the title “Beyond Recall,” in the Brown County World of Hiawatha, Kansas. I haven’t yet found any more publications of that poem in the few years after that, but another burst of citations of this poem as “Beyond Recall” starts in 1905, usually unsigned, and sometimes attributed to Ewing Herbert, who owned the Brown County World. I’ve decided to list all these newspaper reprints but not create pages for each periodical given that Montgomery in all likelihood had no knowledge of how widely her work was recirculating, and given that more and more newspapers are being digitized all the time, there will always be more instances of reprinting to discover.
I’ve also created a page for the alternate signatures Montgomery used, particularly early in her career, including “Maud Cavendish,” “Joyce Cavendish,” “Cynthia,” and “J.C. Neville” – a form of authorship that I talk about in my afterword to A Name for Herself.
September is meaningful for another reason, too: the critically acclaimed television series Anne with an “E” is returning on CBC starting on Sunday night for a third season of ten episodes (it will appear on Netflix around the world, except Canada, on 3 January 2020). As I wrote in a blog post last year, the titles of all first-season episodes are quotations from Charlotte Brontë’s Jane Eyre, whereas the titles of all second-season episodes are quotations from George Eliot’s Middlemarch. Brontë and Eliot were prominent models of nineteenth-century women’s authorship for Montgomery, so it was fitting that the episode titles for the first two seasons referred to their work. For the third season, the episode titles that I’ve seen so far all allude to another prominent book by a British woman – Mary Shelley’s Frankenstein, which I find quite intriguing. And based on what I’ve read about the storylines for this season, I do look forward to seeing what lies ahead for Anne, her friends, and the community of Avonlea in this most recent incarnation of Montgomery’s story.
Three new books released this month invite readers to revisit the story of Anne of Green Gables and the life story L.M. Montgomery prepared for posthumous publication in the form of ten handwritten volumes of journals. All three books are the result of careful dedication on the part of volume editors whose painstaking attention to detail has made rare archival material come alive for Montgomery’s worldwide readership.
First, Halifax publisher Nimbus Publishing has released Anne of Green Gables: The Original Manuscript, edited by Carolyn Strom Collins. This book consists of a transcription of the handwritten manuscript of Anne of Green Gables that showcases for the first time Montgomery’s creative process and elaborate revision system. It also includes, as an appendix, a gallery of rare covers of translated editions of the novel. Past scholarship has turned to the manuscript of Anne of Green Gables to study part of the writing process of the novel—revealing such details as the fact that Montgomery considered “Laura” and “Gertrude” as the names of Anne’s bosom friend before settling on “Diana”—but this book marks the first time readers will be able to see that creative process for themselves.
Anne of Green Gables: The Original Manuscript will be launched at the Confederation Centre Art Gallery in Charlottetown on 1 August 2019.
Also from Nimbus Publishing is a paperback edition of Elizabeth Rollins Epperly’s Imagining Anne: The Island Scrapbooks of L.M. Montgomery, first published in hardcover in 2008 as part of Penguin Canada’s 100 Years of Anne celebration. This book features beautiful reproductions of key pages from two of Montgomery’s PEI scrapbooks on which she pasted a wide range of ephemera in order to create a visual archive for her creative process. In her commentary, Epperly suggests linkages between the individual items, the stories they tell in Montgomery’s arrangement of them on the page, and the way that they inspired key moments in Anne of Green Gables. As the back cover rightly proclaims, this book offers readers “a revealing look inside the mind of one of the most cherished writers of the twentieth century.”
The new edition of Imagining Anne will be launched at UPEI’s Robertson Library in Charlottetown on 25 July 2019.
Finally, Rock’s Mills Press has published L.M. Montgomery’s Complete Journals: The Ontario Years, 1930–1933, the fifth volume of Montgomery’s unabridged Ontario journals prepared by Jen Rubio. This volume contains all diary entries dated 1930 to 1933, at the height of the Great Depression, at which point Montgomery and her family were living in Norval, Ontario. These were difficult years for her, especially due to a revelation made by one of her sons that distressed her so much that she was unable to write full diary entries for almost three years. Like Epperly’s Imagining Anne, this book offers readers “a revealing look inside the mind of one of the most cherished writers of the twentieth century,” but for very different reasons – it showcases the private anguish of a woman who, acutely aware of societal expectations, turned to her journal as a safe outlet for her worries and secrets, but her increased awareness of these journals as a document that she wanted to be published after her death also constrained her ability to be completely honest in this record of her life.
In addition to these three books, a number of recent journal articles and book chapters have been pushing the conversation about Montgomery’s life, work, and legacy in exciting new ways:
Elizabeth Rollins Epperly, “Reading Time: L.M. Montgomery and the ‘Alembic of Fiction’” (in Journal of L.M. Montgomery Studies)
Irene Gammel, “‘We Are the Dead’: Rhetoric, Community and the Making of John McCrae’s Iconic War Poem” (in First World War Studies)
Caroline E. Jones, “Idylls of Play: L.M. Montgomery’s Child-Worlds” (in Children’s Play in Literature: Investigating the Strengths and the Subversions of the Playing Child)
Vappu Kannas, “‘Emily Equals Childhood and Youth and First Love’: Finnish Readers and L.M. Montgomery’s Anne and Emily Books” (in Reading Today)
Laura Leden, “Girls’ Classics and Constraints in Translation: A Case Study of Purifying Adaptation in the Swedish Translation of L.M. Montgomery’s Emily of New Moon” (in Barnboken)
Jane Nicholas, “The Children’s Séance: Child Death, the Body, and Grief in Interwar Ontario” (in The Journal of the History of Childhood and Youth)
Christopher Parkes, “Anne Is Angry: Female Beauty and the Transformative Power of Cruelty in L.M. Montgomery’s Anne of Green Gables” (in Cruel Children in Popular Texts and Cultures)
Julie A. Sellers, “‘A Good Imagination Gone Wrong’: Reading Anne of Green Gables as a Quixotic Novel” (in Journal of L.M. Montgomery Studies)
Rob Shields, “Lifelong Sorrow: Settler Affect, State and Trauma at Anne of Green Gables” (in Settler Colonial Studies)
Emily Stokes-Rees, “Re-thinking Anne: Representing Japanese Culture at a Quintessentially Canadian Site” (in Journal of Tourism and Cultural Change)
Janet Wesselius, “Anne’s Body Has a Mind (and Soul) of Its Own: Embodiment and the Cartesian Legacy in Anne of Green Gables” (in The Embodied Child: Readings in Children’s Literature and Culture)
In light of the fact that today is the first of April, I thought I’d share with you “Cynthia’s” account of being April fooled, appearing in “Around the Table,” L.M. Montgomery’s newspaper column, which she published in the Halifax Daily Echo from September 1901 to May 1902.
Did you get April fooled last week? At our house we all arose on April’s birth morning with a grim determination not to believe a word that our best friends said to us or tamper with anything that looked suspicious the whole day through. And yet, the sorrowful fact remains that – I blush to admit it – I fell into the very first trap with grace and agility.
When I went downstairs Ted was in the hall looking over a morning paper with a very shocked face.
“Cynthia,” he said, with a shudder – oh, it was very well done. In justice to myself I must say that – “this is frightful. There has been a terrible accident up at the north end – nine lives lost.”
“Oh,” I gasped, feeling a dozen thrills of horror. “Oh, Ted, what happened?”
“A street car ran over a cat,” said Ted solemnly.
And there I was! If it had even been a new joke there would have been some excuse for me. But it is old – so old! Why, it has been going the rounds of the funny columns for years.
Well, I tried to take it meekly and all through breakfast I brooded over my revenge. When Ted started to go down town I called to him and asked him if he would mind doing an errand for me. He said no, of course not. So I wrote out a memorandum and told him to get me three yards of sparrowbill purple ribbon.
“Be very careful to get sparrowbill,” I said. “No other shade of purple will do. I want it to match my new suit. I daresay they won’t have it at all the stores. It’s a new shade.”
“I’ll hunt around until I get it,” said Ted so obligingly that I felt a slight pang of remorse – until I remembered that hideous joke.
When Ted came home at night he looked as if he were suffering from that tired feeling.
“I couldn’t get that fiendish shade of ribbon you wanted, Cynthia,” he said wearily. “I’ve been to every dry goods store in Halifax and the clerks all looked at me as if they thought I was crazy. Said they’d never heard of sparrowbill purple.”
“No more did I,” I said maliciously. “You shouldn’t go gunning for new shades on the first of April, Teddy-boy.”
Ted, not being dull of comprehension, understood. He grinned.
UPDATE: This sale has been extended until April 7!
I’ve fallen woefully behind on my blog posts, but here’s one that simply can’t wait any longer. I found out earlier this week that University of Toronto Press is having a March Madness Sale, which means that several L.M. Montgomery books are 50% off for the rest of the month!
A few weeks ago, I was thrilled when someone alerted me to the fact that L.M. Montgomery’s rediscovered final book, The Blythes Are Quoted, had been featured on a recent episode of Jeopardy!. It made my day, especially since neither the original 2009 edition or the 2018 Penguin Modern Classics Edition has been available outside Canada. The episode was posted to YouTube shortly after it aired, but unfortunately, it’s no longer available.
When L.M. Montgomery worked for the Halifax Daily Echo in 1901–1902, she was given a wide range of occasional writing assignments, most of which she never discussed, let alone saved in her scrapbooks, meaning that they cannot be identified now. One writing assignment she did mention in her journals and in her celebrity memoir, “The Alpine Path,” consisted of writing up the holiday specials of Halifax stores that were regular advertisers in the paper, but what she never revealed was the sheer scope of the assignment: she wrote advertising copy for ninety stores, for a total of 13,000 words (more than half the length of “The Alpine Path”). Although Montgomery found these pieces tedious to write, they make for fascinating reading because of how much they reveal about advertising practices more than a century ago.
I include in A Name for Herself: Selected Writings, 1891–1917 some highlights from this assignment, called “Christmas Shopping in Halifax Stores.” Here, as an online exclusive, are Montgomery’s opening paragraph and one of my favourite write-ups from this assignment.
Again Christmas tide approaches and the wide-awake shopkeepers have made preparations for a good season’s trade. All branches of trade feel the effect of Christmas buying, and the consumer feels it perhaps most than all, but he grows reckless with his money in preparing for the season of peace and goodwill. At times he is bothered in the selection of goods and articles which he may deem suitable and worthy of the occasion, and in order to assist readers who might possibly find themselves in such a dilemma the Echo will take the liberty of calling attention to stores and shops where Christmas purchases may be made to advantage.
S. Cunard & Co.
Stoves are little use without fuel, so when one orders a stove coal is brought to mind. S. Cunard & Co.’s is one of the oldest coal dealing firms in Halifax, and their reputation is built on a solid foundation. They deal in all kinds of coals, hard and soft, and having North and South end depots are in a position to supply all parts of the city at short notice. Much coal is given at Christmas to the poor, and it is a thoughtful and in most cases exceedingly welcome gift. With such arrangements as S. Cunard & Co. are equipped with there is little trouble occasioned by one who wishes coal sent to a poor acquaintance. He simply rings up one of the firm’s telephones and gives his order, and the firm does the rest, even to putting the coal in the cellar, if he desires it. Cunard & Co. say that the hard coal with which they supplied their customers the past season turned out to be the best they ever handled. The firm has still a lot of this coal on hand now, and can supply it promptly.
And on 23 December 1901, Montgomery – or, rather, “Cynthia” – wrote in her column “Around the Table” about a late snowfall that was apparently a rarity in Halifax at the time:
I believe we are going to have a white Christmas after all. I’m so glad. I hate a “green” Christmas. You know, when a Christmas is a dirty-grayey-browney affair, looking as if it had been left over about a hundred years ago, and had been in soak ever since it is called a green Christmas. Don’t ask me why! As Lord Dundreary says, “There are thome thingth no fellow can underthtand.”
We don’t get a white Christmas oftener than once in a blue moon, so it is something to be duly thankful for. It is the only real, guaranteed Christmas. Any other kind is a fraud and imitation. Always ask your dealer for a white Christmas and insist on having it.
Lots of snow, making the world look like a magnified Christmas card, crisp, exhilarating air and jingles of sleigh bells everywhere – that’s as it should be. No “green” Christmas for me, an it please ye.
It’s an apt sentiment, since this year, here in Kitchener, Ontario, it also looked like it was going to be a “green” Christmas. But then it snowed overnight – just enough of a dusting to cover the dead lawn but not nearly enough to warrant a lot of shovelling, which is a bonus.
I wish everyone who reads this website a safe and happy holiday season, and I look forward to continuing the conversation about L.M. Montgomery’s life, work, and legacy in 2019.
I am so pleased to report that A Name for Herself: Selected Writings, 1891–1917, the first volume in The L.M. Montgomery Library, is currently an Amazon.ca bestseller! In addition to being ranked 6,670 in terms of overall Amazon.ca bestsellers, it’s currently #1 in two categories – “Books > Literature & Fiction > Canadian > History & Criticism” and “Books > Politics & Social Sciences > Women’s Studies > Women Writers” – as well as #3 in “Books > Literature & Fiction > History & Criticism > Women Writers & Feminist Theory.” Bestseller rankings on Amazon tend to change pretty quickly, so I’m going to enjoy this while I can!
The odd thing is that I looked up the book on Amazon.ca while taking a break from proofreading one of L.M. Montgomery’s earliest short stories, part of a subset of school stories that she published in the Philadelphia Times. That will appear in a future volume in the series.
After spending so many years gathering this material together, it’s really gratifying to know that fellow Montgomery readers now have the opportunity to read this periodical work too.
I cannot remember the time when I was not writing, or when I did not mean to be an author. To write has always been my central purpose around which every effort and hope and ambition of my life has grouped itself. – “The Alpine Path: The Story of My Career”
In the days and weeks ahead, I’ll share with you some exclusive extracts from the book. Today’s extract is from Montgomery’s newspaper column, “Around the Table,” which is collected in its entirety for the first time in my volume. Her column for 2 December 1901 begins with a rumination on the changing seasons:
We have had some forewarnings of winter this last week, haven’t we? The air grew cold and crisp and the poor little sparrows twittered and fluffed out their feathers; and one morning the good folks of Halifax wakened up to see a filmy scarf of white over their city – not much of a snowfall, but just enough to pick the roofs out in dark lines and make the streets for a few brief moments into avenues of marble and invest the glimpses of distant hills with an unreal, fairy-like beauty. The first snowfall of every year has a perennial novelty. There is always a certain suggestion of miracle or magic about it. We go to bed some night, looking out on a dull, gray, lifeless world from which all zest and sparkle seem to have departed. Next morning, presto, change!
Somebody – something – has been at work in the hours of darkness and the sad old world is transformed. And we look upon it with as much delight as if we had never seen it before – this wonderful white loveliness that came while we slept and vanishes again before the morning is far spent.
I’m very pleased to announce the publication of A Name for Herself: Selected Writings, 1891–1917, from University of Toronto Press. This book, which is the first volume in The L.M. Montgomery Library, collects for the first time the majority of the non-fiction and miscellaneous pieces that Montgomery published starting as a teenager and ending at the height of her career as an internationally bestselling author. Among the highlights of the volume is the full text of “Around the Table,” a newspaper column she published in Halifax over a nine-month period, and a new edition of her celebrity memoir “The Alpine Path: The Story of My Career” with fascinating new links to her journals and letters. Montgomery’s text is supplemented by a preface, headnotes, an afterword, and notes that provide historical and biographical context and that place Montgomery in conversation with English-speaking women writers who preceded her (particularly George Eliot and Charlotte Brontë) and the strategies they used to succeed, including opting for initials or for male or androgynous pen names in order to help their work circulate in the marketplace.