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Category: Cover Art

Anne’s Birthday Month

“I was just on my way over to invite you to help me celebrate my birthday on Saturday,” said Anne.

“Your birthday? But your birthday was in March!”

“That wasn’t my fault,” laughed Anne. “If my parents had consulted me it would never have happened then. I should have chosen to be born in spring, of course. It must be delightful to come into the world with the mayflowers and violets. You would always feel that you were their foster sister. But since I didn’t, the next best thing is to celebrate my birthday in the spring.”

Anne of Avonlea, chapter 13: “A Golden Picnic”

Although Anne Shirley never specifies when in March her birthday is held, the fact that today, March 8, is International Women’s Day seems to be a good occasion to begin the celebration of Anne’s birthday month. Accordingly, between now and the end of March I’ll share a selection of Anne book covers from multiple countries and across time through L.M. Montgomery Online’s social media accounts on Facebook, Twitter, Pinterest, and Instagram. If you don’t follow this website on one of these platforms, please do so! At the end of the month, I’ll post all the covers again on this website and invite people to vote on their favourites.

We’ll start with the book cover that accompanied Anne’s first appearance in the book industry—that of the first edition of Anne of Green Gables, published by L.C. Page and Company in 1908.

Cover of Anne of Green Gables, by L.M. Montgomery, a book with a green cloth cover that features the title and the author's name in gold letters below a framed painting showing the profile and shoulders of a red-headed Caucasian woman, facing left.

Cover Reveal: The L.M. Montgomery Reader in Paperback!

Cover art for The L.M. Montgomery Reader, Volume 1: A Life in Print Cover art for The L.M. Montgomery Reader, Volume 2: A Critical Heritage Cover of The L.M. Montgomery Reader, Volume 3: A Legacy in Review

I’m very pleased to announce the forthcoming publication, in paperback, of all three volumes of my award-winning critical anthology, The L.M. Montgomery Reader (Volume 1: A Life in Print; Volume 2: A Critical Heritage; Volume 3: A Legacy in Review) from University of Toronto Press. This project took up the bulk of my professional life over a five-year period, so I’m thrilled that all three volumes will be available in paperback soon.

Once again, the best way to order these books is from the University of Toronto Press website. Volume 1, Volume 2, and Volume 3 are also available in hardcover and ebook formats.

The cover art features the covers of the first Canadian editions of Anne of Green Gables, Anne of Avonlea, and Chronicles of Avonlea published by the Ryerson Press (Toronto) in 1942 and 1943; these copies are part of my personal collection.

Cover Art for Four More Anne Reissues by Virago Modern Classics

Virago Press has just released the covers of four more Anne reissues that it will be publishing as part of its Virago Modern Classics imprint later this year: Anne of Windy Willows (published as Anne of Windy Poplars in North America), Anne’s House of Dreams, Anne of Ingleside, and Rainbow Valley. As I mentioned in January when I posted the covers of the previous Virago editions, the artwork for all these editions is by UK-based artist Daniela Jaglenka Terrazzini.

Cover art for Anne of Windy Willows (Virago Press, 2017) Cover art for Anne's House of Dreams (Virago Press, 2017) Cover art for Anne of Ingleside (Virago Press, 2017) Cover art for Rainbow Valley (Virago Press, 2017)

These editions will be released in spring 2017 in the United Kingdom and in fall 2017 in North America.

Cover Art for Three Anne Reissues from Virago Modern Classics

Virago Press, an imprint of Little, Brown Book Group (London), has released the covers of its reissues of Anne of Green GablesAnne of Avonlea, and Anne of the Island, scheduled for publication in March 2017 as part of the Virago Modern Classics series!

Anne of Green Gables (Virago Press, 2017) Anne of Avonlea (Virago Press, 2017) Anne of the Island (Virago Press, 2017)

These will be followed by reissues of Anne of Windy Willows (the UK version of Anne of Windy Poplars), Anne’s House of DreamsAnne of Ingleside, and Rainbow Valley later in spring 2017.

A number of Montgomery books have appeared within this imprint already: Emily of New MoonEmily Climbs, and Emily’s Quest in 2013, followed by Rilla of Ingleside and Jane of Lantern Hill in 2014. UK-based artist Daniela Jaglenka Terrazzini contributed the artwork for all these titles.

Emily of New Moon (Virago Press, 2013) Emily Climbs (Virago Press, 2013) Emily's Quest (Virago Press, 2013) Rilla of Ingleside (Virago Press, 2014) Jane of Lantern Hill (Virago Press, 2014)

The “Buxom Blonde” Controversy of 2013

Guest post by Melanie Fishbane

“Yes, it’s red,” she said resignedly. “Now you see why I can’t be perfectly happy. Nobody could who had red hair. . . . I cannot imagine that red hair away. . . . It will be my lifelong sorrow.”

Well, even if Anne had been happier as a “buxom blonde,” it seems that her fans have a definite opinion about her lifelong sorrow.

When Josie Leavitt’s piece on how the cover on a recent Anne of Green Gables e-book collection could ruin a book went viral, it caused an international reaction that was so intense that it might have had Anne rethink her stand on red hair. The new edition, released in November under Amazon’s CreateSpace self-publishing operation, featured a blonde woman probably in her early 20s, dressed like a farm girl out of a 1980s jeans ad, and leaning over provocatively.

CBC Radio was one of the first to pick up the story on their show “As it Happens,” which aired on the 6 February, and featured Mary Beth Cavert, who had some interesting things to say about how Montgomery felt about the cover. I loved it when she joked about meeting Gilbert behind the hay stacks and if Montgomery had had an iPhone she would have “pitched it.”

After that everything from the local newspaper to the evening news, you couldn’t escape this story. Even This Hour Has 22 Minutes (a satirical news hour program on CBC) wrote a hilarious sketch that led to some troubling hair dye issues. It even drowned out another amusing anecdotal story on Boing Boing that suggested that a middle-aged Anne of Ingleside had herpes. (A week later CBC tried to rekindle the flame, but it seems that being blonde was more controversial than having an STD.)

Interestingly, this cover is just one of many odd Anne covers surfacing online through digital channels. Many of Montgomery’s books are now in the public domain so any e-book publisher can slap on a cover and use it. I suspect that CreateSpace didn’t make a conscious decision about what cover to use, but was most likely blind merchandising without awareness of what kind of kerfuffle it could create. Perhaps it just so happened that the blonde beat out the three-year-old in the red-poppied garden because it just made a better news story.

At the last Montgomery conference, L.M. Montgomery and Cultural Memory, there was a lot of discussion around how Montgomery and Anne are remembered as part of our cultural Canadian consciousness. And while some articles, such as The Toronto Star, used a stock photo from Kevin Sullivan’s version of Anne played by Megan Follows as a way to compare our collectively approved version of Anne to the blasphemous one, what seems clear is that the public has a very specific idea of who Anne Shirley is and woe betide anyone that re-imagines her otherwise.

The public wants the image of a red-headed dreamy and deviant orphan girl looking out to the precipices of what will be, because that is the Anne people remember from their childhood. And memory is more precious than e-book sales.