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Category: Stage

A Kindred Spirit Christmas

This past Saturday in Norval, Melanie Fishbane and I got to attend the Spirit of Maud Theatre Company production of A Kindred Spirit Christmas. Dramatized and directed by Marion Abbott, the performance consisted of four pieces from Christmas with Anne and Other Holiday Stories: “The End of the Young Family Feud,” “Aunt Cyrilla’s Christmas Basket,” “Matthew Insists on Puffed Sleeves” (from Anne of Green Gables) and “Katherine Brooke Comes to Green Gables” (from Anne of Windy Poplars). The play was terrific: solid performances by all the cast members, most of whom were teenagers and young adults, and the fact that it was held at St. Paul’s Anglican Parish Hall, where Montgomery herself directed a number of community plays, made it extra special. And I got to do a Q&A with the cast afterward, which was so much fun!

Do check out the website for the Spirit of Maud Theatre Company for more information about their productions. A Kindred Spirit Christmas will be performed again on 5, 6, 7 December of this year, and the company’s next play will be a dramatization of The Blue Castle, starting in mid-February 2015.

Benjamin Lefebvre during a Q&A at the Spirit of Maud Theatre Company production of A Kindred Spirit Christmas, St. Paul’s Anglican Parish Hall, Norval, on 29 November 2014. Photo by Melanie Fishbane.

Montgomery Christmas in Norval!

Please join us in Norval, Ontario, this Saturday, 29 November 2014, for the annual Montgomery Christmas. It’s a fun day of church bazaars, friendly people, and a chance to see the community where Montgomery and her family lived between 1926 and 1935 as well as the church where Montgomery’s husband was a minister throughout that time. I’m really looking forward to the performance of A Kindred Spirit Christmas, created and performed by the newly formed The Spirit of Maud Theatre Company.

I’ll be signing copies of the first two volumes of The L.M. Montgomery Reader at Crawford’s Village Bakery, where I’ll also be stocking up on jams and jellies and preserves, although this year it will be with a heavy heart because the Crawford family has recently announced that the bakery will be closing its doors the next day. Elaine Crawford and Kelly Crawford are the authors of Aunt Maud’s Recipe Book (1996), which deserves to be in everyone’s Montgomery collection.

Please see Deb Quaile’s blog L.M. Montgomery: The Norval Years for more details, and please join us if you can!

Feature Film Version of Anne of Green Gables: The Musical in the Works

Yesterday, an article in Variety reported that an announcement had been made at the Toronto Film Festival concerning a planned a feature film version of the popular Anne of Green Gables: The Musical. Additional coverage has appeared in The Toronto Star and on Jezebel.

UPDATE: According to this story on the CBC news website, this project will be filmed in Prince Edward Island!

Further Chronicles of My Inbox

I’ve received e-mail notifications of the following exhibit, conference, and play series:

From Irene Gammel: A notification that the “Reflecting on Anne of Green Gables” exhibit, co-curated by June Creelman and Irene Gammel, opened on 4 June 2008 at Library and Archives Canada (395 Wellington St., Ottawa) and will be available until 1 March 2009. More details are available on LAC’s webpage devoted to the exhibit and in a Reuters article covering the exhibit.

From Eric Bungay: The preliminary program for “From Canada to the World: The Cultural Influence of Lucy Maud Montgomery,” which will take place in October 2008 at the University of Guelph, has been posted. Registration information should be made available within ten days.

From Sally Cole: The L.M. Montgomery Theatre has opened up in Cavendish, PE, for a series of shows staged in a former church where Montgomery worshiped, part of the Avonlea Village outside the outskirts of the town. The theatre is staging plays popular in the year Anne of Green Gables was published, with The Wind in the Willows scheduled to open the season. An article has been published in today’s Guardian.

New Theatre Festival Takes Root in L.M. Montgomery’s Avonlea

Posted today at CBC.ca:

A new theatre festival soon to begin in Cavendish, P.E.I., will present a suite of plays dating from the lifetime of Lucy Maud Montgomery, the author of Anne of Green Gables.

The Island community, already a mecca for Anne lovers from around the world, is beginning the new summer theatre festival in celebration of the 100th anniversary of the publication of Anne of Green Gables.

Duncan McIntosh, a director of theatre, opera and special events, is the artistic director.

He plans a season based on playwrights who inspired L.M. Montgomery, who lived from 1874 to 1942, or whose works were influenced by the writer.

The first season will include:

  • The Wind in the Willows by Kenneth Grahame, dating from 1908, in a new adaptation by McIntosh.
  • The Importance of Being Earnest by Oscar Wilde, first performed 1895.
  • Village Wooing by George Bernard Shaw, written in 1933.

Previews begin June 20 with the season to run from June 27 to Aug. 31. Anne of Green Gables was first published on June 20, 1908.

A 200-seat theatre has been created in the Church at Avonlea Village, a church built in 1872 and moved from its original location in Long River.

“It was a church that Montgomery attended, that she dreamed and hoped and prayed and imagined her immortal stories in, this church,” McIntosh told CBC News.

“And we as a community of Cavendish thought this was a perfect place to make our contribution to the celebration of the 100th anniversary.”

McIntosh, who directed the dedication ceremonies of Canada’s war memorial in Vimy, France, also directed the world premiere of Anne and Gilbert, a spinoff of the long-running Anne musical in Charlottetown.

He is a past artistic director of the Charlottetown Festival, the Citadel Theatre in Edmonton and Theatre Plus in Toronto, and has been a resident director at the Canadian Film Centre and the Canadian Opera Company in Toronto.

New Anniversary Theatre in Cavendish, PE

From the Journal Pioneer: Cavendish to get new Anne anniversary theatre—Darlene Shea.

CAVENDISH—To commemorate the 100th anniversary of the publication of “Anne of Green Gables,” a new theatre will be opening this summer in Cavendish. The Montgomery Theatre will provide a venue to present plays from the life and times of the book’s author, Lucy M. Montgomery. The idea of the theatre was hatched in the summer of 2007 when a group of tourism operators from the Cavendish area met to plan a community commemoration project to mark the centennial.The group also met with internationally acclaimed artistic director Duncan McIntosh, to come up with plans for the theatre.

This new cultural initiative will be launched on Thursday at 10 a.m. at Avonlea Church in Avonlea Village, Cavendish.

Anne and Gilbert Goes Green

This article from 31 July 2007 appeared on the CBC website:

Anne and Gilbert, the musical featuring fictional redhead Anne Shirley that started its Summerside run earlier this month, has gone green.

Producer Campbell Webster has purchased just over $300 in carbon credits to help offset fuel and other energy usage during staging of the theatre production, and ease the effects on the environment.

Campbell Webster, the producer of Anne and Gilbert, bought $300 worth of carbon credits. Campbell Webster, the producer of Anne and Gilbert, bought $300 worth of carbon credits.
(CBC News)

“There’s a certain elegance to it. It can be a simple way to offset the carbon fuels that you use,” Webster told CBC News.

Being staged at the Harbourfront Jubilee Theatre from July 15 to Sept. 19, Anne and Gilbert is a love story based on Lucy Maud Montgomery’s popular Anne of Green Gables book series.

Carbon credits are vouchers used to sponsor clean-energy research and projects, in an effort to counterbalance carbon emissions produced by activities such as driving or air travel.

Webster purchased his credits from Planetair, a non-profit Montreal company dedicated to reducing greenhouse gases.

Rebecca Parent, who plays Anne in this year’s production, has a two-hour round-trip drive to the Summerside theatre each day, and said the carbon credits will help the environmental cause.

“We can’t completely cut out our carbon emissions,” Parent said. “Knowing that what we are putting out into the atmosphere is being offset, obviously, by this project makes you feel better about yourself.”

Webster said the production will continue to seek ways to offset its carbon footprint, adding he hopes to purchase more credits next year to help compensate for the fossil fuels burned by the stage lighting.